#and its not just cruelty...

[ofswordsandpens]

thinking about how the (greek) big three swore to never sire any more demigod children because those children are just too powerful (dangerous) and also thinking about how the characters that, arguably, seem to have the greatest proclivity for cruelty in the name of justice or vengeance are also the (greek) big three children... there's something there, a connection to be made I'm sure of it

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[canonkiller]

abjectly refuse to romanticize weight loss and malnutrition. that shit kills you. to starve yourself is crippling¹ even in the ""bearable"" "well I'm just hungry less" / "other people have it worse" / "it's only a few skipped meals" / etc ways. you have this fucking life and that's it so please if you do nothing else allow yourself to actually be alive in it. do you hear me? take your supplements and multivitamins and eat breads and meats and vegetables and fats and sugars and shit that just fucking tastes good okay? thank you

[she-posts-nerdy-stuff]

A few interesting parallels in the SoC duology that I don’t think I’ve seen anyone talk about yet

(Analysis/discussion of these parallels/quotes may come later if anyone's interested)

“These creatures were made to be weapons” - Jarl Brum on Grisha, Six of Crows chapter 35

“He looked like what he truly was: a weapon” - Jesper Fahey on the Khergud, Crooked Kingdom chapter 36

“Welcome to the Hellshow” - Kaz to Nina, Six of Crows chapter 6

“Welcome to the Ice Court, Nina Zenik” - Matthias to Nina, Six of Crows chapter 34

“Is this a play?” - Alys Van Eck “Yes love, and you’re the star” - Jesper Fahey, Crooked Kingdom chapter 8 when Alys is taken captive

“What was this but a play Kaz had staged, with that poor sucker Kuwei as the star?” - Jesper Fahey on the auction plan, Crooked Kingdom chapter 36

“he looked like a priest come to preach to group of circus performers” - Inej on Kaz’s appearance in comparison to the rest of the Barrel, Six of Crows chapter 2

“started to preach” - Inej on Kaz leading a coup against Per Haskell, Crooked Kingdom chapter 27

“Whoever he had become, Matthias was not going to shoot someone unarmed. He'd not yet sunk so far” - Matthias Helvar, Six of Crows chapter 29

“I am unarmed” - Matthias Helvar, Crooked Kingdom chapter 38

"I didn't even know the rules of Makker's Wheel" - Jesper Fahey on his first night gambling in the Barrel, Six of Crows chapter ()

"He knew his guns better than he knew the rules of Makker's Wheel" - Jesper Fahey on the concept of aim and its relationship to his life and his zowa/Grisha abilities, Crooked Kingdom chapter 36

“a tiny voice inside him said he should offer to take the drug as well […] maybe he could have helped to draw the parem out of Nina’s system and set her free. But that was a hero’s voice and Jesper had long since stopped thinking he had the makings of a hero” - Jesper Fahey, Six of Crows chapter 44

“Matthias gave you the remaining parem, didn’t he?” “So?” “[…] I can’t let my father down again. I need the parem as a security measure” “No” “Why the hell not?” - Jesper and Kaz in discussion about the auction plan, Crooked Kingdom chapter 30

I'll probably be back to add more, feel free to add your own as well

[tiedsh0es]

Can we talk about how no one is happier in Inanimate Insanity until they leave the show? Marshmallow, Lightbulb, Balloon, Taco, Microphone, now even Mepad.

It's brought up again and again. Even by OJ that the show changes you. That you can't better yourself until you get away from it.

The show is this cycle of anger, and cruelness from a host that uses it as a distraction from his past. Mephone is given so many chances to change. Even Mepad, who sticks by him because this is supposed to be the freedom from Cob's Mephone saved him from- is hardly even acknowledged by Mephone.

The contestants even try to be a little kinder towards Mephone because they know his past now- yet Mephone just returns it with more cruelty. Because that's the thing about Mephone he never once tries to change.

Never once tries to actually befriend the characters who try with him.

He's not without chances.

I believe that the only way Mephone can free himself from his own cruelty is with the end of his show. No more seasons, no more spin-offs. All this show is, is a distraction. Something to keep him as far away from his past as possible.

Yet can he do that?

He's driven away every single person that's ever tried with him. His show is the only thing he has control over. The only thing he's ever known since running away.

[shakingparadigm]

I'm too tired to gather my thoughts cohesively on this but.

The Anakt Garden bears a lot of resemblance to the Garden of Eden, right? The landscape is an ideal nature paradise and the humans kept within it are expected to live in blissful ignorance and obedience. It's not far-fetched to say that a lot of religious inspiration was taken when making the Anakt Garden considering the prevalence of "gods" and worship in the series. What's more, there is apparently a whole subject in the Anakt Garden dedicated to religion.

Through this Garden it's almost as if the aliens are attempting to recreate or rewrite the genesis of mankind now that they have established themselves as beings of power. The aliens tend to "play god", creating artificial humans and modifying existing ones in order to suit their needs.

In past official arts, Sua and Ivan (two top students of Anakt Garden who know more about the truth of the system than they let on) have been depicted with apples. The same fruit that symbolizes disobedience and forbidden knowledge.

[dandeyrain]

there's something really frustrating that happens in the fandom when discussing anya, particularly when discussing her personality. in-game, she's portrayed as neurotic and sort of helpless, but also ultimately kind and forgiving, and fandom very much takes that as the unfiltered and unedited truth of her — to the point that people get angry or call it OOC when fanart or fic has anya being violent or even just kind of mean to either her rapist or her rapist's best friend who's covering for him (or, at absolute best, willfully ignoring straightforward evidence that his violent bestie has been violent to the only woman on the crew). anya is mean to curly in some art and the fandom crows "she's not like that! she's sweet and nice and powerless! she isn't gonna take agency! she loves everyone and gives everyone grace! you're mischaracterizing her!!"

but like. how are you characterizing her? we only ever see anya through two men's eyes, and one of those men is her rapist, and the other is the rapist's bestie, and neither of these men take anya seriously at least in some major ways, so how they view anya should absolutely be called into question. but even if we take their views of anya as 100% real and correct representations of how she acts on the tulpar, like...she is the only woman on a ship full of men that includes, again, HER RAPIST AND HER RAPIST'S BFF. she outright says that she knows curly won't help her when it matters — "i knew you wouldn't give me the gun to defend myself" — and even of the two men remaining, one is a kid and one is also wildly rude and dismissive to her (though i think in actuality swansea means it less). she is trapped here, aware that at least one member of the crew is capable of horrible violence towards her and that another member of the crew refuses to take that threat seriously. anya has every reason in the world to make sure that the men see her as dependent on them and polite and forgiving and incapable of anger, because if they see her as a threat they will hurt her.

it's wild to see the fandom correctly identify that anya is fawning with jimmy, pretending to like him more than she does, in order to keep herself safe — and then refuse to consider that she might be putting on a front for curly as well. everything we see about anya from curly has to be 100% real, because curly's a Good Man and Anya Trusts Him. it's impossible that she might be hiding anger or hurt from him. but i would argue that it's JUST as possible that anya is putting on a front of a nonthreatening sweet endlessly empathetic trusting nice girl and hiding other feelings. women are ALWAYS pretending to be nonthreatening and sweet and endlessly empathetic and trusting to the men who hurt them to avoid further harm.

let's look at what she actually does — she doesn't just let but outright ASKS jimmy to give curly his painkillers, knowing that jimmy will hurt him very similarly to how jimmy hurt her. is that kind? does that not suggest that she feels, if not outright anger at curly, at least a willingness to abdicate her responsibility as the nurse to care for him and put him in harm's way for her own sake? she kills herself by downing the last of curly's pain meds, freeing herself at the expense of curly's continued agony — if she truly wanted to help him, couldn't she have taken him with her and saved them both from jimmy? i think you can absolutely read these actions as benign, but it's also a valid reading to say "maybe these actions are indicative of anger or capacity for cruelty that she simply doesn't verbally express for whatever reason (like keeping men from hurting her)."

like, if you want to read her as 100% angelic and kind and sweet and incapable of anger or violence towards jimmy/curly/the rest of the crew, that's fine! my personal read is that it's a little of column a, a little of column b. but it's also worth considering that anya has every reason to put up a false front to these men. it's worth considering that we see anya through the eyes of men who don't take her seriously. and it's worth remembering that for a lot of women, it's a hell of a lot safer to let the men around you believe you're sweet and fragile and helpless than it is to let them know you hope they rot.

[pokimoko]

The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.

Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.

Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.

In saving Marceline, Simon helped to not only to save the world, but also himself.

[kindlespark]

porter watching the bad kids in the final battle like goddamn i groomed the wrong kids. these guys have so much rage in them and they aren't even shatterstar'd

[dhmis-autism]

BOO!

spookiest concept here really is this being a duck song. IN MY HEART AND MIND

[paper-mario-wiki]

NEW OUTFITS!!!!

Like I said, the cute green sweater and dress combo isn't by any means my "default look", and to demonstrate that I had the lovely @tanooki-tales Wendy render me out some more fits (all except the last one based off of clothes I wear in real life, the last one being a cosplay for Empty Fuck from Cruelty Squad)

[kooki914]

What are asgore and spades favorite colors

[starry-bi-sky]

every so often i get possessed by my childhood friends dead on main au and i turn to danny like a specter and froth at the mouth over him, and i get weirdly poetic. Like oh? Oh? Did crime alley do a number on you, kid? Did it turn you into something that bites? Something cruel, that claws? And kicks? Are you something full of grief, tainted and smeared with the oilsin of Gotham? You're not getting that off, scrub all you like Macbeth, it's not coming off. Oh, you're submissive? No, no, you're submissive like a dog on a chain is, are you wearing your muzzle? Oh, you took it off? Are you going to bite? Better make it hurt then. You better make them bleed. Better clamp on so tight they have to pry you off. You better take some skin with you. You're not the gun, guns don't hurt people. The bullet does, are you the bullet? You better be, if anything, Crime Alley raised you to be nothing else. What's your trigger, my friend? Whose gun are you in?

[bayetea]

I don't like the judo flip in moa as much as the next guy but in my eyes it's largely the result of rick not taking female violence half as seriously as male violence (a result of viewing women as weaker and inferior to men such that their acts of violence don't need to be taken as seriously) and not so much anything about annabeth herself. like I do genuinely feel that annabeth is a complex heroine and definitely one of the better ones in the realm of ya action-adventure fiction produced in the past 25 years but she is still a girl being written by a man and all I'm saying is that her writing clearly reflects that sometimes (more in tags)

[bronzetomatoes]

The Unexpected Consequence of Making Too Many Suicide Jokes

[cherry-bomb1985]

I keep thinking about Hell's words: "This is the only way it should have ended."

Should. Not could. *Should*.

Like V1 should have been mass produced, obliterated all the Earth Movers, and then the next machine should have come along to counter it in turn and continue the war. Like all that fighting and the cycle of violence should have been perpetuated.

Like Mankind should never have finally gotten their act together, and tried to continue on even in the absence of divinity and in the face of total climate collapse.

There's a notable difference between 'could' and 'should', and the fact that those words are spoken by the only one who would've been *extremely disappointed* by this outcome has me raising eyebrows.